Monday, March 8, 2010

Oscars 2010 in Review

The whole night in one word? 'Meh'. It was shrug of a ceremony this year, almost every category had an air of inevitablility about it (especially the stunningly predictable Big Six). The show too was strangely listless, with the hosts Steve Martin and Alec Baldwin never falling flat, but never really killing either and some of the presenter segments feeling rather rote.

Anyway, first up here are some pics from the red carpet and the ceremony, and following those I'll have some video clips of some of the more notable moments.

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Sandra Bullock: Radiant, and a little more dolled up than she was for the Razzies the night before.
Kate Winslet: Damn.
A mannequin. Or Taylor Lautner. I really can't tell.
Why yes, I am in love with Anna Kendrick, since you ask.

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Jeff Bridges: Cool man, exceedingly cool beard.
James Cameron and wife Suzy Amis.
Tina Fey: Doing her part for equality by employing a team of blind stylists.
Kathryn Bigelow is 58. No, really.

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Christoph Waltz: The Jew Hunter, also the nicest man in showbiz, it seems.
Pete Docter: Winning for the wonderful, wonderful Up.
Best Supporting Actress Mo'Nique: I missed her speech (bloody internet), but apparently she avoided doing a Halle Berry, and paid tribute to Hattie McDaniel.
Bridges: Yep, still made of awesome.

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Sandra Bullock: Great speech, but Oscar Winner Sandra Bullock, really?
Kathryn Bigelow makes history as the first female Best Director.

CLIPS
Steve Martin and Alec Baldwin open the show

I'll add more here tomorrow, as there ought to be more of the individual speeches online by then.

Sunday, March 7, 2010

Oscars 2010: Liveblog

EDIT: Okay, so I'm back. I've cleaned up the formatting and spellings. Pictures, video and a few general comments will apear soon, in a new post

11:41pm - Well, here we are then. I'm looking at the red carpet coverage. The stars of the silver screen are all glammed up to the nines, and here I am, sitting at a laptop in my kitchen, disheveled and wearing a slightly ratty dressing gown, and contemplating the slightly hideous fact that I'm going to be up until five or six tomorrow morning, reporting - hopefully in a sardonic and entertaining fashion - on the culmination of Hollywood's annual orgy of self-regarding celebration of cinematic mediocrity. I mean, lets face it, if the ten films nominated for Best Picture actually represented the best films of 2009 it would have been a really hideous year. Anyway, back to the red carpet, where some British non-entity is chatting to Ryan Reynolds who, shockingly, is rooting for Sandra Bullock.

11:42 - James Cameron, and the first question is where's Suzi Amis' dress from.
11:44 - Where does Cameron keep his Oscars? Apparently they move around, because they're usualy in the way. Well, he does have a few.
11:46 - Tom Ford, looking sharp as one would expect, and claiming not to be nervous. Favourites this year; Precious, Hurt Locker and Avatar... hedging his bets there.
11:48 - Dear GOD, she's not even up there yet and Mo'Nique is already giving her tearful speech about how life changing and wonderful Precious was. This is going to HURT.
11:51 - Sigorney Weaver hopes Avatar will win some awards. In other news, the sky is often blue.

11:52 - Time for a break. Is it just me, or is anyone else wondering why so much TV time is given over to 'people walking down a red rug'? They're pretty people, sure, and I'm sure it's a nice rug, but even so.

11:58 - Nick Park, up for his latest Wallace and Gromit short. He's got yet another really awful bow tie (which it turns out he made, out of wrapping paper).
00:00 am - Carey Mulligan, looking all cute and gamine, she's brought her family as guests.
00:02 - Tarantino, says he's feeling lucky. I get the feeling he'll be disappointed, at least on the big awards for himself.
00:03 - Christoph Waltz, ever modest, still rocking that excellent beard. Amazingly he still seems surprised to be nominated.
00:05 - Jeremy Renner, with his Mum, who says it's the proudest day of her life. Renner jokingly miffed that it wasn't the day he was born.
00:07 - Sandra Bullock, will they bring up her (gracious) Razzie victory last night? [Futuresam: No]

00:11 - Breaktime. Kettle on then.

00:17 - Is Quinton Aaron (of The Blind Side) just really quiet, or is Sky's mic crap?
00:19 - It's the mic. And Melanie Griffith looks like a candle that's been melted and remoulded over and over.
00:20 - SJP being asked what we can expect from Sex and the City 2. My bet? no Oscars.
00:21 - Lee Daniels may have made a tremendously overrated flick, but he looks very cool, and has a hot daughter.
00:23 - Stanley Tucci, being patronised on the occasion of his first nomination, which is hugely overdue (the nominato=ion that is).
00:25 - Colin Firth, 'fired out of a cannon sometime in September, now rounding Pluto'. Oh I hope he wins, it'll be a great speech.
00:29 - Meryl Streep and Demi Moore both looking very good.

00:30 - Back to the ads.

00:36 - Highlights package from last year, makes me REALLY hope that they go back to the usual way of presenting the acting Oscars, because those testimonials from previous winners were just mortifying.
00:38 - Clooney "aware that Jeff Bridges is going to win". Good for him.
00:39 - Bridges, less convinced of his victory than Clooney is. Just a quick note; Jeff Bridges is made of awesome, he should get an Oscar for being Jeff Bridges.
00:41 - Sam Worthington, much more entertaining than his movie, joking about worrying his girlfriend will run off with Zac Efron.
00:44 - Best Pic clips package. Bored now.
00:51 - Kate Winslet. WOW.

00:53 - Red carpet coverage is wrapping up, just crossing my fingers that my stream will now switch to the ceremony itself (which, of course, is on a different channel).

01:00 - Nearly time for the main event. I've got my scorecard here, and my predictions (which I wrote earlier), so, I'm pretty much set. Hope you enjoy the liveblog as we carry on through the night (assuming I don't nod off at my keyboard resulting in the last hour being reported as "feghuwguirwhrg jlgeroip").
01:03 - and here we go.
01:04 - Oh, joy, Claudia Winkleman (pretty, but, as far as I can tell, has the film knowledge of a fish supper) and a panel of lightweight 'experts'.
01:07 - Still NO mention of films in this coverage of the world's biggest film awards. Thanks Sky.
01:08 - A BTS package with Steve Martin and Alec Baldwin, bodes well actually, light, funny and some good chemistry there.
01:10 - Ah, a mention of films, and just ten minutes in. Thery're about to discuss the 10 Best Pic nominees, with two comics and a 'film guru' I've never heard of. Where are Mark Kermode and Kim Newman when you need them?
01:13 - "Is Avatar the first blue movie nominated for best pic?" These are the jokes that we Brits are getting on this coverage? KILL ME NOW.
01:15 - Is Best Actor locked up?

01:27 - My stream went down just after that last post, but it looks like I've found an alternate one JUST in time for the awards to start. I'm now looking at the American, rather than the British, feed.

01:30 - and here we go. They're introducing the actor/actress nominees to begin with. Slightly odd choice.
01:32 - Neil Patrick Harris. Ace.
01:33 - Well, in concept anyway. I'm guessing Joss Whedon didn't write this song. It might have been funny if he had.
01:34 - Oh please let the host segment be funny.
01:35 - That first joke was spoiled in the BTS package, but it's funny still.
01:36 - Meryl Streep liked the gag about her having 'most losses'.
01:37 - Vera Farmiga looks gorgeous, but these jokes about pronunciation aren't really working for me.
01:38 - They're really hitting Meryl Streep, but she's loving it, and the jokes about Precious are pretty solid, especially the reference to CAA.
01:41 - Um. What WAS the punchline on the Avatar joke?
01:42 _ "Christoph Waltz played a nazi obsessed with finding jews, well Christoph... the motherload". That's the line of the night so far for me.
01:43 - Taylor Lautner, just as plastic in real life then.


01:44 - Best Supporting Actor
Prediction: Christoph Waltz – Waltz has won every award in sight since Inglourious Basterds premiered at Cannes, and there’s almost no way that he can lose here, unless the academy is completely overcome by the fact that Christopher Plummer is really quite old and has never been nominated before, despite a distinguished career.
Preference: None really, I’ve only seen two of the films here.

01:45 - Thank GOD, one presenter and a clip for each performance. So much better than the recent format experiments.
01:48 - WINNER: Waltz [1/1]
01:49 - "Oscar and Penelope; That's an uber bingo". A graceful and humble speech, as expected, and a deserving winner.

01:50 - Best Pic presentation: The Blind Side, by star Sandra Bullock's Proposal co-star Ryan Reynolds. The only BP nominee I haven't seen. Looks cheesier than a warehouse full of gorgonzola.

01:52 - Breaktime. I need a cuppa.


01:55 - Back, with Diaz and Carrell. Cameron Diaz can't read an autocue.
01:58 - Best Animated Film
Prediction / Preference: Up – Pixar’s best film since Toy Story 2, a gorgeously realised, incredibly moving film. The only way it won’t win here is if its Best Picture nomination splinters its vote.
01:59 - WINNER: Up [2/2]


02:02 - Original Song
Prediction / Preference: The Weary Kind – Crazy Heart has a lot of great music in it, this might not be the best song in the film, but it is the only one of the four I’ve heard from this list that I’d listen to outside of the film.
I'm having REAL trouble with this stream, hoping it'll correct itself yet.
02:04 - WINNER: The Weary Kind [3/3]
02:05 - "I love you more than rainbows baby". Nurse, nurse, the sickbag.

02:06 - Best Pic package for District 9. Stream seems okay now, phew.

02:07 - Break, and oh I fucking had to say it, didn't I?
02:10 - Three awards in, three good picks. This can't last.


02:11 - Robert Downey Jr and Tina Fey presenting Original screenplay with gags about the difference between what actors look for in scripts and what writers look for in actors "phone scenes so I don't have be in the same room as that insane actress I hate"
02: 14 - Original Screenplay
Prediction: Inglourious Basterds – Tarantino’s latest has been widely regarded as one of his best, and its hard to imagine that the film won’t win anything besides Christoph Waltz’ supporting actor trophy, and this seems to be the easiest for Tarantino to win, perhaps as an apology for not yet getting around to giving QT Best Director.
Preference: Up – Hilarious, and easily the most emotional film of the year.
02:15 - WINNER: The Hurt Locker. [3/4]. Sweep time, methinks.
02:16 - Dedicated to the troops, and to his Father, in a nice speech that never got political in an overt way.

02:17 - Molly Ringwald and Matthew Broderick with a tribute to John Hughes. Well deserved. Seems like a truly affectionate pair of speeches, again without being too sentimental.
02:19 - Wonderful to see a filmmaker who was so much part of my childhood not just thrown into the In Memoriam montage.
02:22 - Ally Sheedy is on the verge of tears there, but amazingly this is staying dignified.

02:23 - Samuel L Jackson presents Up for Best Picture. Odd pairing, even though he's worked for Pixar.

02:25 - another break already? It's gonna be a long night isn't it?


02:28 - Carey Mulligan and Zoe Saldana presenting short films awards. I haven't seen any of the nominees at all, hence no predictions.
02:30 - Nice package, with previous winners who have gone on to make features. I'm liking the format tonight.
02:32 - Animated Short WINNER: Logorama. The clip looked very cool, but I'm shocked that Nick Park's latest Wallace and Gromit lost. "No logos were harmed during the making of the project".
02:35 - Documentary Short WINNER: Music by Prudence.
02:37 - Live Action short WINNER: The New Tennants.


02:38 - Ben Stiller as a Na'vi. "It was between this and the nazi uniform, but the show seemed a little Hitler heavy"
02:39 - Make up
Prediction: Star Trek – This one tends to go to the flashiest nominee.
Preference: God, I don’t care. There’s really no work that sticks out here.
02:40 - "after I announce the winner I will stand as far away from them as possible, so as not to demean their moment of triumph". WINNER: Star Trek [4/5]

02:43 - Jeff Bridges presents A Serious Man for Best Pic.
02:45 - Break time.


02:48 - Rachel McAdams and Jake Gyllenhaal presenting.
02:49 - Adapted Screenplay
Prediction: Up in the Air – The precursors seem to have this down as the year’s outstanding adaptation.
Preference: An Education, despite its awful final scene, it’s full of wit and solid drama.
02:50 - WINNER: Precious [4/6]. Ugh.
02:51 - First tears of the night "This is for everybody who works on a dream every day, precious boys and girls everywhere" and, apparently everyone else in the world. Well, that was genuine, and yet just a bit sickly.

02:52 - Martin: "I wrote that speech for him". Steve Martin rules, by the way.
02:53 - Highlights of the Governors awards (essentially so that we don't have to sit through the 'boring' lifetime achievement awards).
02:54 - Nice to see Roger Corman honoured, that man's done more to break new talent than almost anyone, we owe him weeks, perhaps even months, worth of great movies.

02:56 - Shit. Now this stream's gone.


03:00 - Best Supporting Actress
Prediction: Mo’Nique – Precious is being spectacularly overrated by award bodies, but Mo’Nique is the best thing about the film by a country mile, and it’s hard to deny that she’s worthy of her frontrunner status here.
Preference: Anna Kendrick – A performance that is in equal parts hilarious and moving, given by one of the most consistently interesting young talents around right now.
WINNER: Mo'Nique [5/7]. Missed the speech searching for a stream.


03:05 - Sigourney Weaver presenting Art Direction
Prediction: Avatar – I have a feeling that Avatar will take home a clutch of technical awards, and you can’t deny that its design is pretty stunning.
Preference: The Imaginarium of Dr. Parnassus – Gilliam’s latest is a mess, but it is an intricate, gorgeous, mess.
03:06 - WINNER: Avatar [6/8]. "Jim Cameron, this Oscar sees you". GROAN. PUKE.


03:08 - Costume Design, presented by Tom Ford and Sarah Jessica Parker. Well, who else?
Prediction: The Young Victoria – This tends to be a period movie award, The Young Victoria is the kind of thing that the Academy likes here; pretty frocks in a period flick.
Preference: I know nothing about clothes, and care less, but Audrey Tautou looked sensational in Coco Before Chanel, so that’ll do.
03:11 - WINNER: The Young Victoria [7/9]. Yep, just make some old fashioned frocks and you're something of a shoo in here. She dedicates it to costume designers who work on contemporary films, and don't get as recognised. Good for Sandy Powell.

03:12 - Charlize Theron presenting the package for Precious.
03:13 - time for another break. I'm surprisingly awake, if now a little cold.

03:18 - Paranormal Activity sketch. Scarier than Paranormal Activity.
03:19 - Taylor Lautner and and Kristen Stewart introduce a tribute to horror movies.
03:20 - Wow. Leprechaun at the Oscars.
03:21 - EDWARD SCISSORHANDS?!
03:22 - Apparently only America makes horror films.


03:22 - Anna Kendrick and Zac Efron (and a Morgan Freeman voiceover) present the sound awards. In the most populist nod I've seen they're demonstrating sound work using The Dark Knight.
03:24 - Sound Editing / Sound Mixing
Prediction: Avatar – The sound categories tend to go to the technically favoured film each year, that’s Avatar this time. Transformers 2 might sneak in for sound mixing, if only because it’s REALLY FUCKING LOUD.
03:25 - Sound Editing WINNER: The Hurt Locker [7/10]. Yep, sweep time.
03:27 - Sound Mixing WINNER: The Hurt Locker [7/11]. See above.

03:28 - Elizabeth Banks presents a [miniscule] package from the sci-tech awards.

03:29 - Travolta presents Inglourious Basterds for Picture.


03:34 - Sandra Bullock presenting
Cinematography
Prediction: The White Ribbon – Michael Haneke’s latest is a stunning visual achievement; every frame a gorgeous piece of art in itself, if enough people see it then it ought to win.
Preference: Antichrist – How the best looking film of last year, if not the last five, didn’t get nominated is utterly beyond me. Among the nominees The White Ribbon is the correct choice.
03:35 - WINNER: Avatar [7/12]. F u c k.

03:37 - Demi Moore, and the Ghost music. Here comes the In Memoriam montage. Get your tissues.
03:38 - Oh, balls. James Taylor is mullering In My Life.
03:41 - Well, that ruined what's usualy a moving moment.


03:45 - JLo and Sam Worthington. Of course, it's such an obvious pairing. Hmmm, Worthington DOES always sound wooden and bored, it's not just his acting.
03:47 - Original Score
Prediction: Up – Michael Giacchino has had much acclaim and several awards for this score, and I imagine that this will be one more.
Preference: None really, for me a good score is one I don’t really notice, as long as Avatar[ded] doesn’t win I'll be fine.
03:49 - Honestly, do we really need the fucking interpretive dance? Give us Roger Corman's speech instead, Academy.
03:50 - All the coreography to Up's moving score just feels... wrong.
03:52: WINNER - Up [8/13]. Lovely. Giacchino is writing a lot of effective, but not hectoring, music. A nice speech paying tribute to being told that being creative is 'not a waste of time'.


03:54 - Gerard Butler and Bradley Cooper
Visual Effects
Prediction: Avatar – even if it’s locked out in every other category, Avatar will win here.
Preference: District 9 – Effects very nearly as good as Avatar’s, on a tenth of its budget, surely the bigger achievement.
03:55 - WINNER: Avatar [9/14]. Well, obviously.

03:56 - Jason Bateman for Up in the Air. Really, could they not find anyone who isn't IN the thing to pimp it here?

03:58 - I'm whipped, and I'm beginning to flag here, especially since a lot of the next hour is likely to be very predictable.


04:01 - MATT DAMON
Best Documentary Feature
Prediction: This is an incredibly difficult call and, to my shame, I haven’t seen any of the films so I’m just going with the most critically acclaimed – The Cove.
04:05 - WINNER: The Cove [10/15]. The comedy indian guy from Short Circuit has an Oscar.


04:05 - Tyler Perry "they just said my name at the Oscars, I better enjoy it because it'll never happen again". Damn straight Tyler.
Editing
Prediction / Preference: The Hurt Locker – This seems to be regarded as one of the great dramatic achievements of the year, and editing feels more like an artistic category than a technical one. Avatar will probably take the more technical categories, but this just feels like The Hurt Locker’s award. It’s also the best of a very mixed bag (Precious’ editing is appalling, and its nomination is a joke).
04:08 - WINNER: The Hurt Locker [11/16]. Oh thank GOD it wasn't Precious.

04:08 - Keanu Reeves for The Hurt Locker.

04:10 - My back's starting to hurt now, it's sitting still for so long that's doing it.


04:14 - Almodovar and Tarantino. Now THAT'S a directorial pairing I'd be intrigued by
Best Foreign Language Film
Prediction / Preference: The White Ribbon – Of those I’ve seen this is one of just two truly outstanding films in the three Best Picture categories. I imagine that it is razor thin between The White Ribbon and A Prophet, and will largely come down to which is more widely seen, but I think Haneke will sneak this one from Audiard.

04:17 - WINNER: The Secret in Their Eyes [11/17]. Well, there's the night's surprise winner.
Thanks the academy "for not considering Na'vi a foreign language". Nicely done.

04:19 - Kathy Bates for Avatar.

04:20 - Another break? Are they running short this year?
04:23 - Well, just the four biggies left. Prepare for a dull, predictability packed, half hour.


04:25 - Oh, cock. Back to this shitty testimonial thing for Best Actor.
Prediction: Jeff Bridges – He’s clearly the favourite, and a sentimental choice, a great actor whom the Academy has passed over for too long. This isn’t his best work, but it’s hardly Scent of a Woman either.
Preference: Colin Firth – An actor who has really broadened his horizons in the last few years, and done a lot of good work. This is a tour de force, and a beautifully underplayed piece of work, which is why he won’t win.
04:27 - I wonder if the actors delivering these speeches wrote them themselves. I hope so.
04:29 - "It is Ted, isn't it?" That's line of the night sewn up.
04:30 - You know something, they nailed that format there, much more sincere than it felt last year.
04:32 - WINNER: Bridges [12/18]
04:33 - He's having fun. 'Mom and Dad, look'.
04:35 - Jeff Bridges is exceptionally cool. That is all.


04:40 - Best Actress
Prediction: Sandra Bullock – Every now and then the Best Actress Oscar has to go to a big star, Julia Roberts had her turn for Erin Brockovich and this is Bullock’s. I haven’t seen the film yet, but Bullock has never, that I’ve seen, been anyone other than Sandra Bullock on screen.
Preference: Carey Mulligan – Of the four I’ve seen here this easily the best performance, and it announces Mulligan as an interesting new talent to watch, cast from the Audrey Hepburn mould.
04:43 - This is feeling more scripted than the Best Actor line up, stiffer, and it's not working so well.
04:48 - WINNER: Bullock [13/18]. Sandra Bullock has an Oscar. Jennifer Jason Leigh has never been nominated, just saying.
04:50 - A genuine speech; warm and funny. I like Sandra Bullock, from what I know of her, as a person but I wish she was a better actress.


04:54 - Best Director
Prediction / Preference: Kathryn Bigelow – It’s well past due for a female director to win, and Bigelow, what with her guild win, seems to have it sewn up. It also helps that her is the best directorial job in this category.
04:55 - WINNER: Bigelow [14/19]. The first Female Best Director, after just 82 years.


04:58 - Tom Hanks presenting Best Picture
Prediction: A tough call, but I think the momentum is running The Hurt Locker’s way. Unfortunately the producer sending anti-Avatar emails to academy members may have annoyed them into voting for the big, blue piece of shit.
Preference: Up – The only nominee that deserves to be regarded as among the best films of 2009.
WINNER: The Hurt Locker [15/20].
I'm just so pleased that the Academy didn't down the blue kool aid.

05:00 - Well. I'm done for now. I'll have final thoughts and I'll tidy this post up in the morning, well perhaps the afternoon. That's it. Hope you enjoyed it. I did, more than I thought I would. Now, I need my bed.

A quick excuse

Since I've got some work to do, prepping tonight's Osscar liveblog (and getting some rest in before the 1am start) I'm going to postpone this week's planned Why Haven't You Seen post (on L.627). It'll go up on Wednesday instead, but from then on I'll have it in a regular Sunday slot. Thanks for understanding.

The Kermode Awards 2010

A perfect antidote to all the industry's mediocrity celebrating backslapping.



Saturday, March 6, 2010

Her Name is Sabine



Recently Britain's Channel 4 (whose late night seasons introduced me to a lot of interesting films, both arty and trashy, when I was a teenager) has got itself a youtube channel called 4 On Demand, and it's been uploading a lot of grat thing, both newly broadcast and from the archives. Looking through their documentary channel today I spotted French actress Sandrine Bonnaire's magnificent directorial debut Her Name is Sabine. It's a documentary about the autistic sister one year Bonnaire's junior, and it is an excetpional film on two levels. First it is an intimate and moving portrait of Sabine and her life, and her relationship with Sandrine, but perhaps more important it is, without being polemical, a film that has a lot to say about how we should treat the mentally ill.

I really can't recommend this film highly enough, it's an outstanding debut behind the camera for Bonnaire. You can watch it HERE

Review Post 67: Alice in Wonderland

ALICE IN WONDERLAND [3D] [2010]
DIR: Tim Burton
CAST: Mia Wasikowska, Johnny Depp, Helena Bonham Carter,
Crispin Glover, Anne Hathaway



It is hard to imagine a more perfect union of filmmaker and material than that of Tim Burton with Lewis Carroll’s Alice in Wonderland, a book he’s said he’s had ambitions to film for some time. So it is both a surprise and a shame that this film falls so flat..

This Alice is not an adaptation of Carroll’s books (though it touches on many familiar scenes) as much as it is a sequel. Burton’s Alice, played by relative newcomer Mia Wasikowska, is not the little girl of the familiar story; she’s now 19, and what recall she has of Wonderland she dismisses as merely a dream. Alice is about to be married off to a lord, but she runs away from the proposal, following a white rabbit (voiced by Michael Sheen) and once again tumbles down the rabbit hole into Wonderland. There she finds the familiar cast of characters; The Mad Hatter (Depp), the Cheshire Cat (voiced by Stephen Fry), Tweedledum and Tweedledee (Matt Lucas) and the two queens of Wonderland, the evil Red Queen (Bonham Carter) and her pure, beautiful, sister the White Queen (Hathaway). Alice discovers that, according to prophecy, only she can defeat the fearsome Jabberwocky (voiced by Christopher Lee) and thus free Wonderland from the grasp of the Red Queen.

Apparently Burton has said of this project that the challenge for him was to make Alice feel like a story as opposed to a series of events. If this was his aim then he has completely and utterly failed, because Alice in Wonderland, though it does move towards a final confrontation, feels like nothing more than a series of vaguely related scenes, devoid of connective tissue, specifically any real character development (witness Alice’s arc, which can be summed up as 90 minutes of “it’s a dream” before a final ten minute sequence in which she, barely explicably, decides to don armour and fight a monster). The rest of the film unfolds in skits, allowing the more famous members of the cast to come in and do their thing every few scenes. As well as making the film bitty as a narrative this approach renders its quality extremely patchy.

There are a few excellent guest spots. Most notable are the vocal contributions of Britsh actors Stephen Fry, whose performance as the Cheshire Cat is both droll and vocally as airy and elusive as the character himself, Timothy Spall, who makes the dog Bayard one of the film’s most genuine heroes, and Alan Rickman, whose patented laconic drawl is a perfect fit for Absalom the hookah smoking caterpillar. Sadly there are also a lot of disappointments among the cast. It’s not that Helena Bonham Carter is bad as the Red Queen, it’s just that her very funny performance is actually Miranda Richardson’s very funny performance. Bonham Carter has almost completely lifted this Red Queen from Richardson’s hilarious turn as a stupid, spoiled, Elizabeth I in British sitcom Blackadder II. Inspiration is one thing, but really, if you took Richardson’s Elizabeth and inflated her head with CGI you could just drop her into this film without anyone noticing. I love Crispin Glover, he makes a lot of crap (and there must have been interesting discussions on set regarding his parody of Depp and Burton’s Willy Wonka in the awful Epic Movie), but he’s just so intriguingly odd. Usualy. Burton seems to have directed Glover (as the Knave of Hearts) to play everything as flat as possible, even Glover’s distinctive voice seems to be toned down, as if he’s been told to be as conventional as he can. It’s irritating, because an actor as profoundly odd as Crispin Glover is a perfect fit for this story (though I imagine his initial idea may have been that he play Alice) and to make him mask what makes him a perfect fit is, frankly, stupid.

The lion’s share of the screentime is given to two characters, Mia Wasikowska’s Alice - obviously - and Johnny Depp’s Mad Hatter. I always want to like Johnny Depp, he’s a sensationally gifted actor, and can express great emotion with such moving subtlety (see, for example, Burton’s Edward Scissorhands). Unfortunately, since playing Jack Sparrow, That Johnny Depp seems to have died, he’s been replaced by a man who never met a piece of scenery (or here a green screen) that he couldn’t chew. As the Mad Hatter Depp is just awful, it’s as if he can’t decide what to do, so he’s going to do EVERYTHING. There’s a lisping, vaguely English, accent for some of his lines, but at times he lapses into sub-Shrek comedy Skuttish, for no apparent reason. The performance seems built from spare parts; prancing, creepy, Wonka here; drunk action man Jack Sparrow there. It’s fine to be broad, after all he’s playing the Mad Hatter, but there’s nothing new here. More damagingly, the Hatter doesn’t really come off as ‘mad’. Point of fact he’s barely eccentric, and certainly he’s never remotely funny. I’ve no idea what Burton and Depp were aiming for here, but more worryingly I’m not convinced that they knew either.


At the film’s centre the delicately pretty Mia Wasikowska seems a little lost as Alice. That’s not entirely her fault. She’s got a poorly drawn and largely inert character arc, and frankly Alice was always a dull protagonist, more a vehicle to show us the weird and wonderful sights of Wonderland than a character in her own right. However, until the final battle in which, gorgeous valkyrie though she is in her armour, Wasikowska is an utterly unconvining warrior, she actually does well within a limited part, finding a middle ground between wide-eyed little girl and strong grown woman. She’s a glorified tour guide, but she’s rather enjoyable to follow, and there’s enough here to suggest that she’ll do better work in the future, when she’s allowed to stretch more.

So, we’re about 1000 words into a review of a 3D Tim Burton film, and I haven’t yet discussed the visuals. First off, the 3D. Alice in Wonderland wasn’t designed for 3D, it’s a retrofit job, and it shows, because this is a seriously flat film in visual as well as emotional terms. The most enjoyable section of the film, from a visual standpoint, was the opening ten minutes or so, which takes place in the real world. During much of this sequence (because Burton barely uses the 3D) I was able to lift up my 3D glasses and watch the film without them. It was a considerably better experience this way. First of all, the colour was correct, and the visual intent of the film (which has a glowing, sunshine and candle lit, quality here) was able to come through unencumbered. I was still able to get the illusion of depth too, because, lets be clear here, 2D cinema CAN do depth.

Once Alice enters Wonderland the 3D becomes more prevalent, but I only really perceived it on the occasions that I wanted to lift my glasses up and try, again, to watch it in its proper 2D version. In 3D Wonderland is still flat and lifeless (if immaculately designed and beautiful to behold). On the one hand you could say that this means I’m adjusting to 3D, on the other you could say it means that Burton is using it poorly. I don’t know which is true, but I do know that it still adds nothing to the film, and remains a distracting rather than an immersive experience. What surprises me about the 3D is that it is so lifeless. It’s as if Burton has had the technology thrust on him, because all his work is so meticulously designed you have to suspect that the fact he barely makes use of this new design technology speaks to a lack of interest in it.

The film’s CGI is relatively impressive, and the human characters are well integrated into what is an entirely artificial environment, but the problem is that that environment never stops feeling artificial. Of course this could be seen as problem inherent to the story, but Jan Svankmajer’s Alice (with its use of stop motion characters and scenery) doesn’t suffer from it. It’s that perennial problem of the intangibility of CGI, that still not quite real texture that it has, that just means it doesn’t feel credible. If the whole of Wonderland were digital this might have been less of an issue, but with other human characters appearing alongside Alice it was distracting. I’m coming pretty close to saying that I’m done with 3D, and certainly I’m done with retrofitted 3D. It clearly not only fails to benefit, but undermines, the intent of a filmmaker.

Alice in Wonderland isn’t without its pleasures. The design is vintage Tim Burton, and as wonderful as that implies, there are a few strong performances and Mia Wasikowska is beautiful enough that just getting to look at her for 108 minutes was rather good fun, but on the whole this is a missed opportunity; a confused, bitty and disappointing film from a director who should have been able to make this story into a true classic film.

Sunday



Well, Monday, actually, strictly speaking. Anyway Tomorrow is Oscar night, and after a successful trial run with the BAFTAs a couple of weeks ago I'm going to attempt to liveblog the whole night, starting around 1am and probably going through to 5 or 6 in the morning. I'm obviously insane.

So, join me in the early hours of Monday morning for what promises to be rather sarcastic coverage of Hollywood's most self-congratulatory night of the year. That, or you can check later on Monday, when the liveblog will be cleaned up and formatted, and have pictures and hopefully clips added. Hope to have some of you on board during the night, keeping me awake and entertained with your comments.