Showing posts with label News. Show all posts
Showing posts with label News. Show all posts

Saturday, August 20, 2011

World War Z: Eyewitness Report

Our new horror correspondent (horrorspondent?) Steve Chandler has had an interesting week. Just outside his workplace in Glasgow the new zombie movie World War Z has been shooting key scenes. Here are some of Steve's impressions of what he's seen, and some EXCLUSIVE behind the scenes images (which you'll find at the end of this article).



Hollywood came to Glasgow this week with the arrival of Brad Pitt, Marc Forster and the entire World War Z crew to shoot the $80m adaptation of Max Brooks’ acclaimed zombie novel. Matters kicked off on Monday as Glasgow’s George Square and some of the surrounding streets were transformed into the streets of Philadelphia. It seems that Philadelphia proved to be a prohibitively expensive city to shoot in. So when money talks with the powers that be in the US fell apart a decision was made to approach Glasgow City Council to seek permission to shoot the movie around the streets that some area of Philadelphia was apparently modelled on. George Square became a hive of activity as up went US style traffic lights and the streets were populated by dozens of US vehicles (cars, ambulances, military vehicles, huge garbage trucks etc.) With filming due to start the next day I started to get very excited indeed, but I could not have envisaged how close I was going to get to the action.

Hilarity ensued on the Tuesday when, late in the day, a Brad Pitt lookalike was spotted just outside my office window and mistaken for the real thing, cue much wetting of knickers amongst my female colleagues. I was briefly convinced that I was in fact looking at the a-list Hollywood star but after heading outside for a closer look I soon realised that, hair aside, fakeBrad looked nothing like the real deal.

A similar scene ensued on Wednesday morning with my colleagues debating whether or not fakeBrad was really realBrad. This debate was suddenly abandoned when we realised that the real deal had been standing less than ten feet away with his back to us. He turned around and prompted much screaming and squeaking from the females in the room and more knicker wetting, the latter in earnest this time. The effect that realBrad has on women is markedly more intense than that of fakeBrad (who shall henceforth not be mentioned allowing me to drop the “real” from realBrad before it gets annoying).

Soon the filming began and it suddenly became practically impossible to concentrate on work. They spent much of Wednesday shooting scenes involving a lot of extras running along the street in a state of panic in the face of what is presumably some kind of zombie related threat. Brad spent most of the day in the car with his wife and kids (not Angelina and their semi-adopted brood but his movie family). Inhabiting the role of Brad’s character’s wife is Mireille Enos who has had a significant role in US series Big Love and more recently the lead female role in AMC’s adaptation of the hit Danish crime drama The Killing.

Things got a lot more exciting on the Thursday with them repeatedly shooting a scene where Brad gets out of his car after a motorcycle cop knocks off his side mirror. He strolls in a very Brad Pittlike manner a little way down the street, picks up the broken side mirror, has a brief conversation with another driver then gets back in his vehicle before being yelled at to “Remain in your vehicle!!!” by the very same cop who damaged his car. They must have shot this scene about dozen or more times in stops and starts but being that I live in Glasgow and have never been anywhere near a big Hollywood set as they shoot a movie the entire event was very absorbing. They also kept firing a double barrel shotgun loaded with blanks about two maybe three feet away from my office window and every time I came damn close to either making a mess in my pants or dropping dead of a heart attack.

Next day there was no sign of Brad or Marc Forster as the second unit film crew set about preparing a major shot involving an enormous garbage vehicle, which had a massive metal plough attached to the front, tearing down the middle of the street knocking vehicles out of the way and causing extras and stunt people to scatter. After a short while filming the cop yelling at Brad Pitt’s character (who had been replaced by a dummy) and a few dry runs where they drove the garbage truck fairly slowly down the street until it stopped about five yards behind the motorcycle they replaced the real cop with a dummy and got down to shooting the money shot. My colleagues and I were asked to step well back from the windows, possibly for health and safety reasons, but more likely because we were in shot. I had set a camera up just inside the window to record the scene but someone in the production crew spotted it and I was asked to remove it because the flash would be visible in the shot. I didn’t honestly think it was worth trying to argue that I wasn’t intending to take a photograph but was actually planning to record the scene in hi-definition. I really didn’t think that would fly. So I smiled, kept my mouth shut, and removed the camera.

Even though I kind of knew what to expect from the crash scene they were about to shoot NOTHING could possibly have prepared me for how cool it actually was. Travelling at speed the garbage truck came racing down the street, hit the motorcycle sending the dummy flying through the air to come to rest on the roof of a car then proceeded down the street knocking cars out of the way as it went. When I say it knocked cars out of the way that doesn’t really paint a vivid enough picture of what in actuality happened. Cars went flying into the air. Stunt people were diving for cover. The sound of metal being ripped and crushed was enormous. One of the cars ended up lying on it’s roof. It was amazing. I didn’t have as good a view as I would have liked owing to us having been asked to stand back from the windows, nonetheless I was left with my mouth hanging open in complete awe of what I had just witnessed.

It seems that come Monday the filming will have moved to another street so it’s unlikely I’ll see much more of the production. But this has been a very exciting week. When I read that they would be shooting the movie in Glasgow around George Square I never anticipated having a window seat. Being that I’m such a huge fan of horror cinema and the zombie genre in particular I can only hope that I am afforded an opportunity to see some undead related mayhem. That would be very cool indeed.



Friday, August 27, 2010

News: A Serbian Film PULLED from Frightfest



I was wanting to wait to watch A SERBIAN FILM when it was released in the UK, but now it seems that I'll have to see it online if I am ever to see the whole film. The BBFC apparently demanded almost 50 seperate cuts to the film (about four minutes of footage) for an 18 certificate. Without a certificate, the folks at UK horror festival Frightfest sought the permission of Westminster Council (final power over film exhibition in the UK lies not with BBFC but with individual councils) to screen the film uncut. They were refused.

Frightfest's Alan Jones said
"FrightFest has decided not to show A Serbian Film in a heavily cut version because, as a festival with a global integrity, we think a film of this nature should be shown in its entirety as per the director's intention."

If a festival can't show it uncut, then we will likely never see this film released uncut here. It's a real shame, because I imagine that A SERBIAN FILM was a big draw for this year's Frightfest (and it's not as if that audience wouldn't know what it was in for).

I'll have more on the BBFC in coming days, because there are signs they are beginning to come down harder on horror again, after 15 years of liberalisation.

Wednesday, August 25, 2010

Satoshi Kon 1963 - 2010



The number of true visionaries making films can just about be counted on the fingers of one hand. Tragically, one of them died on Monday, taken by pancreatic cancer just under two months before his 47th birthday.

After beginning his career as a Manga artist, Kon branched into film in the 90's, first as a screenwriter, and then as a director. His first film, 1997's PERFECT BLUE established many of the themes that would run through his work; dream worlds blending with reality, characters with multiple personalities, celebrity and technology all helped form the backbone of his cinema. What was also notable was Kon's pursuit of a thoughtful adult aduience; much of the adult anime seen in the West is notable purely for its violent and sexual content, Kon brought rounded characters (especially his women) to the fore and put them in genres seldom seen in anime; such as Hitchcockian thriller PERFECT BLUE, Christmas set comedy TOKYO GODFATHERS and the beautiful, elegaic, romantic fantasy MILLENNIUM ACTRESS. His final completed film, PAPRIKA, seemed almost a summation of his themes and interests to date, and with its espoinage story and exploration of multiple levels of dreamstate seems to have been a key influence on Christopher Nolan's INCEPTION.

As much as anything, Satoshi Kon was an artist. His films are genuinely stunning to look at, and often quite unlike other anime, employing techniques and shots more often seen in live action, but also using the possibilites that animation offers to their full potential. He was an especially masterful character designer (look at the way he subtly ages Chiyoko Fugiwara, the lead character in MILLENNIUM ACTRESS, from scene to scene), but each of his films also boasted exquisite, explosive, diplays of animation technique (see some clips below).

Every time a new Satoshi Kon film appeared you could be sure that he would take you to another world. It might be thrilling, it might be touching, it might be confusing, it might be scary, but all of Kon's films are genuinely transporting. Happily we still have one more journey to look forward to, at the time of his death Kon's latest; a children's film called THE DREAM MACHINE was nearing completion, and it will be completed and released.

On Monday cinema became a duller and less inventive place. Other filmmakers will follow in his footsteps, but, sadly, there was only one Satoshi Kon and he's gone now. Let's enjoy the films he's left behind, and try to make sure that others do too.

Note: PAPRIKA appears on my Top 100 films, click the title for the article. PERFECT BLUE will appear further up the list.

TRAILERS


Friday, August 6, 2010

LFF 2010: Opening Film Announced



This year's London Film Festival (at which I'm hoping to get to at least 12 films) opens on October 13th, and in advance of the announcement of the full programme on September 8th (full coverage here at 24FPS) the opening film has now been confirmed. Unsurprisingly it is something of a British affair, toplining new Spider-Man Andrew Garfield, rising star Carey Mulligan and Keira Knightley, Mark Romanek's adaptation of Kazuo Ishiguro's acclaimed novel Never Let Me Go will open the festival as a European premiere, in advance of a UK opening in January.

Stay tuned for MUCH more LFF coverage

Sunday, July 11, 2010

Cool new poster

I've been intrigued, since it was announced, by the very existence of the I Spit on Your Grave remake. It's a perfect choice for a remake; a film that could have been great, but wasn't. I liked the trashy grindhouse vibe of the first poster, but I LOVE this new one. It's an affectionate nod to the original film, both in design and in the tagline "Day of the Woman" (Director Mier Zarchi's preferred title for the original) and the black and white gives the image a stark impact. Here's the poster.



You can get a bigger version below
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Saturday, June 12, 2010

US Poster for Dogtooth

Yrgos Lanthimos' stunning Dogtooth (my number 2 film of 2009) is finally going to be shocking and surprising US audiences on June 25th. One of my few problems with the UK release was the rubbish one sheet that was provided. No such problem with the US release. Check THIS out...



You can also get a (much) bigger version below
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And if you're in the US, PLEASE go and see Dogtooth, it's a masterpiece, plain and simple

Tuesday, May 4, 2010

News

Of all the things I would NEVER have thought would get tapped for a remake, Mier Zarchi's infamous video nasty I Spit on Your Grave (a film which, 30 years after its release, remains a genuinely distressing experience) is near the top of the list. Here's the poster for the remake.



You know what? I'm intrigued. Just approaching this film is a hugely ballsy move, and if the people behind this new version can combine the ultra disturbing tone of the original with better performances, especially from the actors playing the men who attack Jennifer Hills, we really could have something here. The poster gives me hope, as it suggests that this movie isn't going to be some watered down PG-13 item. Could this be that rare thing... a worthwhile horror remake?

Monday, April 12, 2010

I Love Paul Verhoeven



A lot of actors and directors have, shall we say, interesting hobbies, but few more so than Paul Verhoeven. I've seldom been more surprised than I was when I discovered that Verhoeven, the provocateur behind the likes of Robocop, Basic Instinct and The Fourth Man, is an internationally recognised scholar on the subject of the historical Jesus. Yes, really. He's the only lay member of the Jesus Seminar. He's also just published (in English, it came out in his native Holland a while back) a biography of Jesus, simply called Jesus of Nazareth. And he wants to make it into a film.

If no other film is made in the next year, that one HAS to go before cameras, it will probably be greeted with controversy that makes The Last Temptation of Christ seem like Toy Story 3, I can't wait to hear the sound of the heads of groups like Mediawatch and Christian Voice exploding with rage.

Another reason I love Paul Verhoeven, aside from the sheer entertainment value of his movies? Try this quote, about Mel Gibson's torture porn take on the New Testament; The Passion of the Christ
“If that’s God, then we are really fucked.”
.
Yeah, I love Paul Verhoeven.

Tuesday, March 30, 2010

News

Cannes gets a cool poster for 2010
The line up isn't out yet (I'll have a detailed preview when it is) but here's the poster for this year's Cannes Film Festival. For me, this just bleeds cool.



The festival opens on May 12th, with the world premiere of Ridley Scott's Robin Hood